| Studio | Universal Studios Home Entertainment |
| Catalog Number | 6112101 |
| MPAA Rating | Not Rated |
| Retail Price | $26.98 |
| Disc Type | Single Side, Dual Layer (BD-50) |
| Running Time | 121 min |
| Color | Color |
| Chapters | Yes |
| Closed Captioned | Yes |
| Regional Coding | Not Indicated |
| Release Date | 05/29/12 |
| Theatrical Year | 2012 |
| Director | Simon Phillips & Brett Sullivan |
| Screenplay | Subscribers only |
| Story | Subscribers only |
| Music | Subscribers only |
| Cinematography | Subscribers only |
| Production Design | Subscribers only |
| Costume Design | Subscribers only |
| Sound Editor | Subscribers only |
| Re-Recording Mixer | Subscribers only |
| Executive Producer | Subscribers only |
| Producer | Subscribers only |
| Aspect Ratio | Subscribers only |
| Measured Ratio | Subscribers only |
| Photography | Subscribers only |
| Disc Soundtrack | DTS HD Lossless 5.1 |
| Theatrical Sound | Subscribers only |
| Subtitles | Subscribers only |
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Subscribe FreeLove Never Dies is a sequel to the legendary Phantom Of The Opera from musical theatre's most captivating composer and featuring the new live Australian production filmed at the Regent Theatre in Melbourne between September 9 and 13, 2011. The year is 1907 and ten years have passed since the Phantom's (Lewis) disappearance from the Paris Opera House. He has escaped to a new life in New York, where he lives amongst the screaming joy rides and freak-shows of Coney Island. In this new electricity-charged world, he has finally found a place for his music to soar. All that is missing is his love—Christine Daaé (O'Byrne). Now one of the world's finest sopranos, Christine is struggling in an ailing marriage to Raoul. So, it is with excitement she accepts an invitation to travel to New York and perform at a renowned opera house. In a final bid to win back her love, The Phantom lures Christine, her husband, and their young son Gustave from Manhattan, to the glittering and glorious world of Coney Island...not knowing what is in store for them. (Gary Reber)
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