In "Alice, Sweet Alice," divorced Catholic couple Dom and Catherine Spages' life is upended when their teenage daughter Alice is suspected of her younger sister Karen's brutal murder during her First Holy Communion and a series of stabbings follow. (Gary Reber)
Special features include commentary with Alfred Sole, Edward Saier and William Lustig; commentary with Riahard Harlan Smith; the featurettes "First Communion" an interview with Director Afred Sole (HD 18:45), "In The Name Of The Father" an interview with Actor Niles McMaster (HD 15:03), "Alice On My Mind" an interview with Composer Stephen Lawrence (HD 14:59), "Lost Childhood: The Location Of Alice, Sweet Alice" (HD 16:03) and "Sweet Memories" (HD 1:19); deleted scenes (HD 02:43); version comparsion (HD 02:13); re-release trailer; UK TV Spot and image galleries.
The 1.85:1 2160p HEVC/H.265 Ultra HD Dolby Vision/HDR10 picture, reviewed on a VIZIO Quantum X P85QX-JI UHD/HDR display, was photographed on Fuji 15mm film stock in Super 16 and sourced from a 4K master Digital Intermediate format sourced from the original film negative. Film grain is noticeable but generally smooth. The color palette exhibits saturated hue throughout, which cast strong tones on the various sets and objects within. Flesh tones are at times exaggerated with over saturated skin tones. HDR contrast is generally good. Black levels re deep and solid. Shadows are mostly revealing. White levels appear natural. Resolution is excellent with fine detail exhibited throughout, especially during closeups. Facial features are finely detailed. Objects appear nicely detailed. This is a very colorful presentation, but some aspects appear over saturated. (Gary Reber)
The LPCM 2,0 monaural soundtrack was remastered from the original optical negative and delivers a generally satisfying experience. Dialogue is intelligible throughout with good spatial integration. The music score sounds compressed and strident. Bass extension is limited. And, of course, as a monaural soundrack the experience is dimensionalless. (Gary Reber)