My way of thinking is that you just can
Both titles in the set are anamorphically enhanced, measure 1.85:1, and are very similar in image quality. At times, both movies look very good, with sharp and detailed images. Other times definition is lacking, with prevalent soft, hazy edges. Colors are the most pleasing aspect of the picture, with rich hues, well-balanced fleshtones and deep blacks. Contrast and shadow delineation are mediocre, sometimes wanting in visual information in the darker scenes. Film grain and minor source element artifacts are evident throughout. Edge enhancement, pixelization and occasional shimmering artifacts are noticed. (Suzanne Hodges)
Both soundtracks in the double feature are presented in Dolby
Reason #19 Why Readers Love Widescreen Review:
Iíve been reading WSR since Issue 1. I have never had any problem, any misunderstanding, or any doubt about their published articles or interviews. They are absolutely thrust full. The articles look like a Master Business Course. It is a fantastic well-written magazine with brilliant topics, thanks to the capacity of the editors and their teams. Years ago, I discussed this in Las Vegas with a George Lucas THX engineer, and at the end of two hours he agreed with me. My information was based on all the WSR issues I had read.