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    WSR Detailed DVD Review
    Depeche Mode: One Night In Paris
    Genre: Stage Performance

    Reviewed In Issue 63 (Aug 2002) Of Widescreen Review®

    Stars:
    Depeche Mode: David Gahan, Andrew Fletcher, Martin Gore, Peter Gordeno & Christian Eigner

    WSR Review Scores
    WSR Picture Rating: 3
    DD Sound Rating: 4
    DTS Sound Rating: NA
    Download WSR Review
    Reference Systems
    Critics' Composite Score: 4
    Internet Links
    http://www.depechemode.com
    http://www.mute.com
    http://www.hip-o.com
    Special Features
    Disc Two of this two-disc set includes interviews with crew members and fans, extra footage relevant to the Exciter Tour,


     DVD General Information

    (Studio/Distributor): Universal Music & Video Distribution
    (Catalog Number): 440 018 063-9
    (MPAA Rating): Not Rated
    (Rating Reason):

    		 NA
    (Retail Price): $24.98
    (DVD Type): DVD-9/DVD-5
    (Widescreen Edition): Yes
    (Full Screen Edition): No
    (Anamorphic Widescreen): Yes
    (Running Time In Minutes): 118
    (Color Type): Color With B/W Sequences
    (Chaptered/Scene Access): Yes
    (Closed Captioned): No
    (Regional Coding): 1
    (Theatrical Year): 2002
    (Theatrical Release): Yes
    (Direct-To-Video Release): No
    (DVD Release Date): 05/28/02
    (THX® Digitally Mastered): No

     Credits Information

    (Director): Anton Corbijn
    (Screenplay/Written By): Subscribe Now!
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      DVD Picture Information

    (Principal Photography): Subscribe Now!
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    (Measured DVD Letterbox Aspect Ratio): Subscribe Now!

      DVD Sound Information

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      WSR Narrative Review
    Story Synopsis:
    If you are a high-school kid from the

    DVD Picture:
    The anamorphically enhanced 1.78:1 DVD picture offers a generally satisfying visual experience. Opening with a gritty, grainy black-and-white shot of the band preparing for their walk on stage, the picture gradually begins to incorporate bold red stage lighting for a dramatic monochromatic beginning. Soon, the stage lighting flashes vibrant blues and bright yellows, and the color scheme offers natural fleshtones and deep blacks. Aliasing problems are frequently noticed, and pixelization adds a

    Soundtrack:
    The Dolby

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    In addition to Widescreen Review, I subscribe to several audio/video publications, such as Sound And Vision, Stereophile, Stereophile Guide To Home Theater, Audio Video Interiors, and peruse through the myriad of British audio video publications when I go to Borders, Barnes & Nobles, or Tower Records. I must acknowledge that Widescreen Review is one of the better ones because it is more like a trade publication than a magazine full of advertisements. Moreover, Widescreen Review was one of the first publications to delve into DVI and more importantly, HMDI, which I deem important because it can make a lot of the current products out there obsolete. Put simply, Widescreen Review is The New York Times of audio/video publication. In other words, if you want real news, you read The New York Times. To stay on top of what’s happening in the audio/video industry, you read Widescreen Review. Enough said.

    Dick Lew
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